"Harmony said he wanted the movie to look like a candy shop, very colorful, and I thought maybe it would be great to use colors we don’t use so much in cinema — purple or pink or yellow, something quite strong. It was a good movie to experiment with those colors. When I went to Florida, we started to scout at night, and when the night is coming, you start to see different colors, neon signs, sodium lights. It’s very interesting. So I started to understand the city and how to light the movie to catch that feeling. This was a tricky shot because I was alone inside the car with the actress to shoot her in profile with a walkie talkie, talking to the girls: ‘Okay, window one, window two,’ to coordinate the shot." - Benoît Debie (Director of Photography)
When I hear myself speak French, I look at myself differently. Certain aspects will feel closer to the way I feel or the way I am and others won’t. I like that—to tour different sides of yourself. I often find when looking at people who are comfortable in many languages, they’re more comfortable talking about emotional stuff in a certain language or political stuff in another and that’s really interesting, how people relate to those languages.
— Francois Arnaud for Interview Magazine (via cresmix)
Holly and I can never be just friends. I wrote down a list of bullet point why Holly and I should be together and I’m going to find the perfect moment today and I am going to tell her. Number 1: Holly, you and I are soup snakes. And the reason is because in terms of the soup we like to ea- no that doesn’t make any sense. We’re soulmates. Holly and I are soulmates.
Vice, Virtue. It’s best not to be too moral. You cheat yourself out of too much life. Aim above morality. If you apply that to life, then you’re bound to live life fully.
Harold and Maude (1971), Hal Ashby